It just happens,
And happens
Until it’s stopped
By making them pop
Not a joke,
DOUBLE TV,
Is one of the
Four principles
Of the fantastic story
As the
Introduction to
Borges’ Labyrinths (1962)
Purports
And whoever wrote that though
I forgot the name,
Was it William Gibson
Or Donald Yates
The latter probably
Says there are other elements THREE
To a fantastic story
Or in my lecture, I would say
“These are the elements of fiction
“We encounter again and again
“As the start of the pen
“Or whatever writing implement
“Takes upon the subject of The Real,
“As a condition of purpose to feel
“Interested in any topic at all,
“What is real in full
- The double
- A journey through time
- The work within the work
- The intrusion of the dream
And what is the DOUBLE we mean?
We talk about IDENTITY
Make a DOPPLEGANGER appointment
For the word variety
A hint of German uncanny
I think SOVIETS are around the corner
With a DOPPLEGANGER CASTE WAR MACHINE
Making WORLD WAR
HELTER-SKELTER we mean
Helly-skelly
Jelly bean
It all ended at Altamont we mean
The BRITISH nightmare, the hippy dream
Came from a 3 8 below scene
Where MUSIC is not what it seems
You understand,
Who are they again?
Those other riflemen?
Keeping on with a freemason
Gone bad in ‘33 again
Never comin’ back out
Take em to the hangin’ shack
And the hanging tree verily
For a proper mass death TV
Anyway it will be
As ever
Paul is dead
Off at the head
8 3 0 DOUBLE we said
BRITISH SPY,
CROWLEY WIDE
Strange and provide
No information to
They are REDCOATS FROM BELOW:
True,
You understand
We are doing REVOLUTION again,
ENHAKKORE 